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Monster Jam Europa (Short Film)

Grant Mich had learned to walk the halls of West Yonkers Chapel High like they were a test of faith. On Friday the 15th, the lockers hummed louder, the clocks ticked heavier, and rumor pressed against his ribs like a second heart. Afrocentric murals watched him pass—ancestors painted in cobalt and rust—while whispers followed his shadow. They said the day was haunted by the shooting that took Vern Vern Williams, the school’s brightest star, and tangled his older brother Greg into a fate that never loosened its grip. Grant was a senior now, tall and deliberate, carrying the weight of history in his stride, knowing how grief learns a building’s floor plan and returns to the same corners every year.

Between chapel bells and final period, Grant felt time fold. He remembered Vern Vern’s laugh echoing off the gym rafters, the way Greg’s shoulders squared like a shield. The story had splintered into versions—who ran, who froze, who prayed—but the truth stayed sharp: a community learned how fragile its legends were. That afternoon, Grant stood at the edge of the court, sunlight cutting the dust into halos, and chose to breathe through it. He wasn’t chased by ghosts so much as entrusted with them. On Friday the 15th, he understood that survival could be an offering—bearing witness, naming the loss, and stepping forward anyway, determined to graduate not from fear, but from silence.

In the closing card, director Deezie Brown steps into the frame not as a character but as a witness, grounding the film in lived truth. His vision is shaped by inheritance in its fullest sense—land passed down, stories carried forward, and the responsibility that comes with both. Brown frames education not as escape, but as ownership: knowing the history beneath your feet, the systems built around you, and the power of choice that knowledge unlocks. For him, Black culture is not split between city and country, survival and legacy; it is a continuum, strengthened when wisdom is preserved, taught, and claimed. The film ends on this belief—what you learn determines what you keep, and what you keep defines what you become.

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Monster Jam Europa (LP)

Jake Lloyd

The Friday the 15th soundtrack, produced by EC Mayne and Jake Lloyd, is a Texas Southern rock-rap collaboration album that moves like memory through heat and asphalt. Gritty blues guitar, church-born organ swells, and trunk-rattling drums collide with lived-in verses, tracing the emotional aftershock of the film rather than narrating it outright. The production leans into space and restraint—distorted riffs hanging like unanswered questions, hooks built from chants and hums—allowing the stories of loss, survival, and community to breathe. It’s an album rooted in the South but unafraid of experimentation, where rap carries testimony and rock carries the weight, forming a soundtrack that feels less like accompaniment and more like a second voice to the film’s soul.

Release Date Summer 2026
Catalog Cheers to Years
Format Digital / Vinyl
The Fifth Wheel Complex Campus

Independent record label based in Manchester, UK Specializing in Alternative Soul, Hip-Hop & House music.

Rideaux